Manual Menge und Un-Menge (German Edition)

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The 17 Sustainable Development Goals SDGs are the world's best plan to build a better world for people and our planet by Adopted by all United Nations Member States in , the SDGs are a call for action by all countries - poor, rich and middle-income - to promote prosperity while protecting the environment.

They recognize that ending poverty must go hand-in-hand with strategies that build economic growth and address a range of social needs including education, health, equality and job opportunities, while tackling climate change and working to preserve our ocean and forests. Welcome to the United Nations. On the surface, this is his most rigorous project, based entirely on sine tones and white noise. Electronic music has a complicated interaction with its past, an idea elaborated upon by Jon Dale in a recent review for this site.


Unlike in rock music, a throwback or revival in electronic or experimental music feels particularly pointless. A forced living in a perpetual present is fine, but any artist interested in using tradition as something more than window-dressing must understand that a meaningful negotiation with the past is necessary.

Tietchens is one of the few artists who pick up this ball and run with it, eased perhaps by his own longevity and continuity.

The rough machinery of his earlier work is buried within strictly digital soundscapes, not superficially, but completely, thereby creating another meaningful tension in his work. Editions Shop News About Contact.

Manual Menge und Un-Menge (German Edition)

Facebook Twitter Vimeo. This article needs additional citations for verification. The three pieces on this album, are the results of recycled sounds. They are being altered, changed, deepened, distorted and whatnot to create something completely different.

"Menge" Turkish translation

Strangely enough, in the end, that process does create something genuine, something with its own sound and style, something strange and out of the ordinary. Well, there are plenty of experimental and ambient acts that come to mind, most notably O Yuki Conjugate again, a band that I still see as one of the pinnacles of the genre. Cordell Klier is another name that comes to mind, just to give you an idea about the experimental nature of the tracks.

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In practice there are always unexpected surprises, which often result from the ability of listeners to shift and alter perspective and perception. Understanding any aural concatenation requires active listening and the recalibration of our sensory systems.

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  • These six to seven minute-long tracks progress in a slow abstract manner. Airy and full of character, they oscillate between liquefied, granular, punctiform and spacey textures. Fabio Perletta, head honcho of Farmacia , will be proud of hosting this project. The unusual structures posses a vibrational quality that is highly addictive and emotional. Abstract and enjoyable, the sequences evolve harsher and sometimes dark atmospheres.

    Tietchens displays subtle control over dynamics and texture, and the harmonic content of the work is complex and resonant. The first song in the lineup creates a gradual crescendo that feels intimate and molecular, almost suggesting the idea of inhospitable landscapes.

    Stolen Child

    This is followed by even more quietist and profound insertions, with cascading drones punctuated by thinner audio emergencies, before closing with a passage of intricate and beautiful abstractions. Influenzato dal primo Brian Eno, il musicista tedesco ha fatto spesso ricorso a risonanze atonali, di matrice ambientale, per caratterizzare parte dei suoi lavori.

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    Non esistono pulsioni, solo note sfregate, come in L10RB. This a statement on how create something new from the hidden shades of sound.